Wendy's Art
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Wendy's Art World
3D & 2D Animation / Game
The Wise Cat (2024)
A stylized 3D animation created using Blender, featuring a 2.5D style, combining stylized ink brushstrokes with self-developed geometry nodes modifier.
Received several international animation festival awards:
The Special Mention award in competition at the 9th Animation Marathon 2024;
The Outstanding Student Animation award at 24th Animation Academy Award of Beijing Film Academy;
Finalist for 12th International Silk Road Film Festival;
Official Selection at the 13th Athens International Digital Film Festival (AIDFF)
Inkborn Horse (2025)
A 3D horse rendered in the style of traditional Chinese ink painting, inspired by Xu Beihong’s expressive brushwork. Fully procedural textures allow flexible adjustment of the ink patterns on the horse’s body. Using a simplified model with a relatively low polygon count, the piece captures the essence of ink brush strokes, enhanced by a self-developed Geometry Nodes modifier that adds dynamic, bold outlines.
Echoes in Ink: Chen Wen Hsi’s Gibbon Art Study (2025)
A 3D gibbon rendered in the style of traditional Chinese ink painting, inspired by the iconic gibbon artworks of renowned Nanyang artist Chen Wen Hsi. Fully procedural textures create rhythmic, brush-like strokes that resemble expressive ink fur.
Using a low-poly model, the piece captures the dynamic brushwork and aesthetic spirit characteristic of Chen Wen Hsi’s style.
3D Reimagining of Traditional Painting Style: The Crafted Peony (2025)
A 3D peony rendered in the style of traditional Chinese gongbi floral painting, entirely generated using a self-developed Geometry Nodes modifier, with no manual modeling involved. It allows full control over the flower’s shape, blooming animation, and petal structure through adjustable nodes. The material uses fully procedural textures, enabling flexible color and style variations while preserving the delicate brushwork quality of traditional art.
Ink Steed (2024)
Ink-wash 3D animation created using Blender.
This animation recreates the visual effects of ink-wash painting styles with the self-developed geometry nodes modifier.
Change (2022)
This 2D animation discusses the traditional Chinese philosophical concepts of change and permanence.
Received international animation festival awards:
The Outstanding Student Animation award at 22th Animation Academy Award of Beijing Film Academy
Dreamy Butterfly (2021)
A 2D animation created using Adobe Photoshop and After Effects.
This short animation is inspired by Zhuangzi’s The Butterfly Dream. It recreates the ink-wash animation style with abstract backgrounds influenced by 20th-century Chinese art.
Fat Rabbit Run (2020)
A 2D Unity game featuring assets designed in Adobe Photoshop.
Witch Ghost (2024)
A Unity game featuring low-poly characters created in Blender. A 3D game in watercolor style.
Film / Poster / Illustration / LoRA
The Light (2017)
A short film using green-screen shooting technique, adding special effect in Adobe After Effect.
It’s a fiction about the story of a stubborn electron chasing for his dream, which only lead him to self-destruction.
Wandering Bug (2016)
A short fiction combining live action with Adobe Animate animation, screened in EU Short-Film Challenge.
It’s a light-hearted and funny film talking about an absurd but possibly realistic story about a migrating bug. It might make people ponder after laughing.
Feel the City (2019)
A leaflet made for an exhibition design. A warm, messy background contrasts with the cold foreground, capturing the city’s dual sense of warmth and cold, calm and chaos.
Made in Photoshop and Illustrator.
AR Education (2018)
A poster made for ELITE Department displayed in CUHK EXPO 2018.
Designed and created the 3D characters to highlight the “fun” and the “sense of technology” of AR education.
Made in 3D animation software Blender and Adobe Photoshop.
Modern Inkwash (2025)
The self-trained LoRA Modern Inkwash blends the art styles of representative 20th-century Chinese artists, Wu Guanzhong (1919–2010) and Lin Fengmian (1900–1991), reinterpreting the cross-cultural aesthetic of modern Chinese art.
The Modern Inkwash LoRA produces unexpected yet distinctive results across different base models—from Chinese ink painting to Western Impressionism and even Japanese anime—while retaining the essence of both artists’ styles.
This is an early exploration, with future work focusing on refining the LoRA and developing a unique model that carries cultural heritage into a new, contemporary visual language.
The base models applied in this project were downloaded from publicly available sources. All copyrights of the original base models remain with their respective creators.
Wendy H
Wendy’s research interests include animation technology, cinematic aesthetics and Asian art history.
She is particularly interested in incorporating culturally specific aesthetics into her animations and expressing the essence of traditional Chinese philosophies through her art.
Contact
wendyhh.art@gmail.com
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